Saturday, May 8, 2010

Movie Review: Iron Man 2

Since most of my readers are from first world countries, I assume that whoever is reading this is aware that Iron Man 2 was just released and that this was, allegedly, momentous. Well, I saw the film. I saw it at midnight. There were some children who were wearing the Iron Man mask. I saw it in IMax. I had a giant popcorn bucket. Wow I like short sentences. I admit that I have moments where I nerd out and sci-fi/action/superhero films appeal to me. So, this was the apex of nerdiness. Especially seeing the kids in masks. Then I knew I was karmically banned from sex for at least a year for accumulating a high volume of nerd points.

I would guess that my readers have already made up their minds about Iron Man 2. My opinion will probably do very little to sway things. This is good because I really don't have a strong opinion about the film. I cannot remember feeling so ambivalent after leaving a screening. Seriously, Iron Man 2 was engaging enough to hold my attention for its entire running time, but bland enough to never generate any lingering excitement. Therefore, I have made it my duty to offer some suggestions to improve Iron Man 3, because God knows that one is about as inevitable as my post Red Lobster deuce.

Suggestion 1: More Scarlett Johansson fight scenes.

Would you rather see some CGI turd man-robots fight with guns, or see Scarlett Johansson wear a body suit and beat up about fifteen armed guards using MARTIAL ARTS?!? If your answer is robots, go watch Transformers 2 and never talk to me again. Sco-Jo really kicked some butt in her one fight scene, which felt dramatically short. The audience clapped after she was done, which never happened for any of the Iron Man fights. Case closed.

Suggestion 2: Nobody gives a fuck about the imaginary science that's going on, so just leave it out.

There was this whole irrelevant storyline where Tony Stark (the main guy) had to get pallidiaminium because the current element fueling his body was galvonicating his q-cells too quickly and therefore the floconium levels in his blood were too high and he was going to die. Or something. Did this play into the main storyline? No. Did this have a socially relevant point? No. Did it serve to create any dramatic tension? No, because we knew he wouldn't die. Are any of the words in the first sentence of this section real? No.

Suggestion 3: Incorporate this guy, just because I think it would be funny.


Suggestion 4: Don't try so hard to be funny

Yes, I think humor is great and many times the movie successfully pulled it off. However, there were lots of really lame puns. Since I can't remember any of them specifically and because I'm adequate at writing bad jokes, I will simulate some of those lines here

Guy 1: Wow, looks like we made short work of these robots!
Guy 2: Yeah, looks like someone's going back to the junkyard!!! HAR HAR!

(after dousing someone with water)
Guy 1: Why did you douse me with water?!?
Guy 2: We were arguing. I thought you needed to COOL DOWN!

Hot lady: I need you to sign this form, Mr. Important.
Mr. Important: Ok, and maybe later I can sign YOUR form with my dick! And by form, I mean your vagina.

You get the point. Try harder, writers.

Suggestion 5: More nudity. But only from hot people. Mickey Rourke is not acceptable. I have no urge to see him in tighty whities again, because retaining the ability to see is important to me.

Suggestion 6: Betty White cameo. If you find someone that doesn't think favorably of Betty White, I will spend a full $10 at White Castle and eat everything I buy. You know that's a risky endeavor. And yes, I say this because I just watched the Betty White SNL. It was solid.

Suggestion 7: Arbitrarily recast the black guy role. The studio already did this in between the first two movies. Why not do it again? A good portion of white people won't even notice. I recommend Kenan Thompson.

Alright, that's all for me. I'm going to rewatch Maya Rudolph's Whitney Houston impression from SNL. SHOOP!

Rating: 2.5/5 stars

Thursday, May 6, 2010

Movie Review: Nightmare on Elm Street

Have you ever gone to a restaurant and had a dish that you really liked? Duh, of course you have. So let's say, hypothetically, that you go to a Mexican restaurant and have a delicious chimichanga. Sure, it's kind of cheesy, but you appreciate the ingenious idea of deep-frying a burrito. And who are you kidding, you like the cheese too, even if it's not good for you. Then, you read in the newspaper that the restaurant is coming out with a newer, sexier, more modern version of the chimichanga. You're so excited you can barely wait to get to the restaurant. The chimichanga was so genius, how could this go wrong?!? When you go, you order the remade chimichanga, only to find that there's very little cheese and instead of being filled with grilled chicken or beef, it's filled with rotting baby diarrhea.

HEY SUCKAS, THIS IS AN ANALOGY FOR THE NEW NIGHTMARE ON ELM STREET MOVIE.

Let me begin by describing why the original Nightmare on Elm Street was so ROFLawesome and then I'll talk about why the new one is terrible. The first one is great because the concept was fucking genius AND it was executed well. I mean, you have to give Wes Craven a good deal of credit for coming up with the idea of a murderer who kills people in their dreams. Everyone has nightmares! Rich people! Poor people! Stupid people! Ponies! Everyone. So immediately everyone can relate to this concept on some level. Here's how the movie brainstorming for the original went:

Wes: Hey, let's have a murderer kill people in their sleep!

Studio Dude: Wow, that's a really great idea. However, how can we make this terrifying and still have a good story structure?

Wes: Well, since the idea of a dream killer is a bit fantastical, let's have the protagonist try desperately to stay awake. As the madness of insomnia sets in, there will be a subtle uncertainty as to whether or not the events of the movie are really happening, or if they're merely a byproduct of our character's unraveling imagination. As the character deduces what is happening, we should have other tertiary characters constantly question our protagonist's sanity.

Studio Dude: Nice. Hopefully we won't have to work too hard to create a frightening atmosphere. We'll make the audience invested in our main character, so most of the fear comes from not wanting her to fall asleep. It would probably bastardize everything we've worked to build if we let this movie devolve into a lazy, one-note slasher movie, where we're interested in making loud noises to scare the audience.

Wes: Word.

Yeah, so the original Nightmare had good plot development and the movie was much more disgusting and unsettling that this new cock-show. Freddy was more interested in creating a haunting dream environment and psychologically scarring our heroes. New Freddy likes to jump out of nowhere and make noises. Not necessary.

Well, let's play out the conversation that went into planning the new Nightmare.

Exec 1: MONEY MONEY MONEY MONEY MONEY I WANT MONEY MONEY MONEY MONEY

Exec 2: Don't we all. How can we make it?

Exec 1: Duh let's totes remake Nightmare on Elm Street. We've remade everything else, why not remake this one.

Exec 2: Aiight, but modern audiences are more cynical. If we have a nightmarish dream murder villain, we should really spend an exorbitant amount of time trying to figure out who he is, why he is a killer, and how deeply he is connected to our main character. That way, our audience will buy it.

Exec 1: Um, that in now way explains how he's able to kill people in their dreams, just why he's a killer. I feel like you're not solving the problem.

Exec 2: MONEY.

Exec 1: SOLD. Let's do this.

Exec 2: Just to be clear, we're going to take all of the unsettling atmosphere of the original and replace it with unnecessary back story and really cheap, lazy scares.

Exec 1: Yeah, and let's not even try to get the audience to care about the characters. OOOOH ANOTHER IDEA! Let's do a dream sequence every three minutes. Scare scare scare scare scare scare. That way we won't have to hire a good plot screenwriter AND it'll make it easier to avoid character development. We can also make a lot of the dreams look just like real life, so Freddy can just pop out and scare people randomly! Fuck you, nightmare concept. Fuck you. Money.

Exec 2: In fact, let's invoke some bullshit scenario where people can dream without even falling asleep so Freddy can pop out at any time!!! Nothing that worked about the original will be in our movie!! The audience won't even care that our characters could fall asleep because THEY'RE SLEEPING ALREADY!!

I think you get my point. The new movie basically shat on everything that was good about the original, just for the sake of my money. By the way, here's the Elm Street Poster:


Rating: 1.5/5 stars

Tuesday, May 4, 2010

Single Review: Can't Be Tamed

Since the dawn of time, women have learned that they can get more attention by turning into big slutbombs. This may come as a surprise, but this trend commonly occurs in the music industry. Madonna did it. Britney did it. Christina did it and then did it a second time. Ke$ha started there. You see my point. Well, it seems that Miley Cyrus is the next in line to "grow up," which is a music-industry synonym with stripping (for ladies because guys don't have to do that to establish legitimacy).

The biggest different between Miley and these other ladies is the fact that she's ONLY SEVENTEEN. Although her music video for Can't Be Tamed is still pending, there's a good chance that I'll go to jail for a sex crime by watching it. Sure, seventeen is legal in most areas. However, it's still super creepy everywhere. I don't care how good the song is, that doesn't eliminate the weird undertone of pedophilia for anyone that's over 21.

Oh, guess what bitches, THAT WAS A SEGUE. The song isn't that good. Normally I'm down with songs being overproduced, but this one is shameless about it. I actually think Miley has a pretty good singing voice, so it sucks that she's masking it with some sort of autotune effect. The writing is pretty shitty also. It sounds like she's either moving towards rap language or she's partially forgotten English. It works on someone like Lil' Wayne but Miley can't quite cut it. Here's a sample:

For those who don't know me I can get to be crazy
Have to get my way ya
Twenty four hours a day
Cause I'm hot like that

Every guy everywhere just gives me mad attention
Like I'm under inspection
Always gets a ten
Cause I'm built like that

I go through guys like money flying out the hands
They try to change me but they realize they can't
And every tomorrow is a day I never plan
If you're gonna be my man understand

I can't be tamed
I can't be tamed
I can't be blamed
I can't can't I can't can't be tamed

Yep, so that's the first part of the song. Essentially, she wants a guy who accepts that she is an untamed megaslut. Guys try to change her (aka make her pull up her panties every now and then) and she freaks out because they're trying to "tame" her. Listen, I'm all for female empowerment and whatnot, but when the message is "I'm so frigging hot I can do whatever I want to guys and not have consequences" then I start to work about twelve year old girls with gonorrhea. This is how I imagine a conversation with a nice guy and untamed Miley.

Guy: Hey Miley, do you want to go on a date tonight?

Miley: WHATEVER, FUCK YOU, I DON'T CARE, SURE.

Guy:...Um ok. So I'll pick you up at eight then. We can go to a nice Italian restaurant.

Miley: HELLZ NO, I ONLY LETS GUYS TAKE ME TO SUSHI, HOLLA, KTHNKX.

Guy: Well, I don't really have the money for sushi. Are you sure you won't give Italian a try?

Miley: FUCK YOU, YOU FUCKER HEAD!!!! I CAN'T BE TAMED I CAN'T BE TAMED I CAN'T BE BLAMED YOU SHOULD BE FUCKING LUCKY THAT I'M TALKING TO YOU BECAUSE I'M HOT, I'M A TEN ON MY HOTNESS SELF-ASSESSMENT. JESUS CHRIST IT'S LIKE I'M UNDER INSPECTION. I'M ALL GROWN UP NOW, SO YOU'D BETTER TAKE ME FUCKING SERIOUSLY.

Guy: Alright, I guess another time. PS I can see your vagina in those shorts. You're clearly not grown up yet.

And scene.

So yeah, this is bad. It's like this bad:

Ugh. I'm just going to listen to Xanadu now.

Rating: 1.5/5 stars

UPDATE! After watching the video, the song is growing on me. It's trashy awfulness is becoming endearing. I'd up the rating to 2.5 or 3 stars. I'm sorry I put up the National Treasure 2 poster. But I'm not taking it down because I still think it's funny.

Monday, May 3, 2010

Sunday, May 2, 2010

TV Review: Friday Night Lights

Ok, so I promise a movie review is coming this week. It probably seems like I watch a million tv shows and don't do anything else, but that is only about 85% accurate. In the meantime, here's ANOTHER tv review.

So, I spent a lot of time today sitting on my couch and watching Netflix Streaming. For anyone who doesn't have Netflix, get it RIGHT NOW because Netflix Streaming is quickly becoming the greatest thing of all time. All seven seasons of Buffy are on Netflix Streaming so the assgroove on my couch is slowly going to get permanent. Anyway, when I wasn't supplementing my daily calorie intake with root beer I was watching Friday Night Lights. Friday Night Lights is frigging awesome and that fact surprised me quite a bit. Here's why I was apprehensive:

1. It takes place in rural Texas. I would probably get murdered there.
2. It's about football, which means it's not about eating and therefore is outside of my wheelhouse.
3. It airs on NBC, which is only good at comedies. Name a good drama. I dare you. The Biggest Loser doesn't count because it's reality tv.

However, this show is great. LIST TIME! Here are the good things:

1. It's really more of a family/high school drama. Did you hear that? High school drama.
2. To clarify my last point, there are irresponsible teenagers who are sexually promiscuous. Vicarious is the first word that comes into my mind.
3. Tim Riggins.
4. Connie Britton is probably the greatest actress on TV, so I'm praying my opinion of her doesn't change when I watch the Nightmare on Elm Street remake.
5. I actually know things about football, thank you very much. Watch this: touchdown, field goal, first down, interception, tackle, pigskin, snap, lineman, etc. BOOYAH. This isn't like the sport stick disc where all I can think is "net guardian" and "puck transfer."

I've come this far without putting a picture in the post. I guess this will have to be a non sequitur because I'm only running on root beer and chicken crispies.


FROG CAT TO THE RESCUE! Aka rescuing this post from being completely blah.

I think this might be the listiest list post of all time, so bear with one more list. Let me list the things that I would do to convince you to watch Friday Night Lights. List. List List. List.

1. Defecate on the personal property of someone you greatly dislike.
2. Swear off shorts unless I get some serious amounts of sun exposure.
3. Fold your laundry. This might not seem like much, but given that I'll sleep next to my unfolded laundry for weeks this is a big deal.
4. Edit a long paper that you're writing because I have really good editing skills and can easily pick up on even the smallest of errors or help with your sentence structure because good clear succinct sentences are the best.
5. Write you some customized, sassy one-liners to bust out at any point. "Wow, your current outfit makes crocs with socks look fashionable." "I would rather poop a baseball than continue this current conversation with you." "Ha. I wouldn't eat that even if it were drenched in nacho cheese." Yeah, just imagine how good they'll be when I put effort into them.

So, please watch this show or you'll have to face the wrath of PSYCHO KITTY



Who wants to see this guy and Frog Cat duke it out? Maybe that'll be my next Pitch Idea post.

Rating: 5/5 stars

Thursday, April 29, 2010

TV Review: Brothers and Sisters

Alright, I've watched Brothers and Sisters (or as the highly educated call it, Bros and Hos) for quite a while and the show has had some ups and downs for me. I'd call this season a down, for sure. Granted, it's not dead Meredith/deer revival/tumor fantasy bad like Grey's Anatomy, but things haven't been great. I would like to take this time to offer a general outline for an episode of Bros and Hos, but first I must introduce you to our cast of characters.

Nora. Everything you need to know about Nora comes from the fact that she's played by Sally Field. Thing Steel Magnolias plus a different set of babies. Nora pretty much spends the entire hour complaining about her children's lives and trying to meddle/control them. Occasionally she gets a love interest, but it's always gross and weird because she's old. Old love is nasty.

I'm sorry if this picture made anyone vomit.

Sarah. Sarah is Nora's oldest child and one of the titular Bros and Hos, because she has several siblings. Haha tit-u-lar. Anyway, she's the best character and given this season, that's not saying much. She has a French boyfriend, played by the naked guy in the Sex and the City movie. This is a pretty good storyline, but when anything has to deal with Ojai (pronounced Oh Hi, but sometimes my brain turns it into Oh HAYYYYY) Foods, which is the family business, this get super duper annoying. More on this later.

Tommy. Tommy is the worst character times one thousand. He was so bad he was written off of the show for a while, but I also suspect the actor who plays him is a giant turd. Look up Balthazar Getty and you'll probably see some pictures of him with Sienna Miller that make you wonder how he bagged her because he's uglier and less successful. RUN-ON! Tommy's role is to bitch about everything. "Wahhhh Sarah got to be CEO of Ojai. She has a business degree and more experience, but I'm entitled because I'm a man and she's a lady." "Wahhh my wife left me even though I made illegal business deals and disappeared to Mexico right after our child was born. Pity me." "Wahhhh NOBODY LIKES ME."

Kevin. Kevin is the gay child. He's super uptight, which is reflected in the fact that he's a lawyer and a political campaign manager. He's pretty tolerable, given that his partner Scottie is perhaps the most sympathetic tertiary character here. However, his most recent storyline is absurd.

OMG I'm already tired and I don't even want to finish. I'll give extremely brief descriptions of the other characters.

Kitty. Republican and uptight.

Justin. Former druggie and maybe dyslexic, now in med school. Was in army, like Buster Bluth.

Alright, these are the Bros and Hos. Anyway, the show used to be super engaging and dramatic, with hidden mistresses and secret children, but now it's sort of become a caricature of itself. Either the episode is super formulaic, or they develop a highly implausible new plotline.

I've taken the liberty of writing a template script.

(Kitty on phone)

Kitty: Hay Sarah, I'm planning to do something political but since mom is a liberal and generally resents my conservatism, keep it a secret.

Sarah: Oh for sure, this will never get out. PS this is actually a three-way call and Kevin is on the line.

Kevin: Sorry I can't talk, I have to go off to some lawyer thing, but I'm here with Justin talking about legal blah blah blah and you're on speaker phone so he knows too.

Justin: Yeah and I just texted messaged everyone alive except for Nora, so clearly this secret will never get out. Can't wait for our big family dinner where we drink wine and blurt things!

Sarah: Alright, I have to go into work at Ojai with our dad's former mistress who now owns half of the company, kind of inexplicably, and has a daughter that's married to Justin, which is kind of weird if you stop to think about it.

Cut to family dinner after secret is revealed.

Nora: HOW COULD YOU DO THIS KITTY, HAVEN'T I SACRIFICED ENOUGH FOR THIS FAMILY? I DO EVERYTHING FOR YOU EVEN THOUGH YOU DON'T ASK FOR IT AND ARE A CAPABLE 40 YEAR OLD WOMAN. WHYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY?!?"

Then they make up and everything is back to normal. I actually managed to get a picture of the Bros and Hos storyboard for the series:

That being said, it still makes me cry a lot and the acting is good.

Rating: 3/5 stars

Monday, April 26, 2010

Pitch Idea: KNIFE LAW

Alright, today I had the inspiration for a new blog segment. Clearly I am obsessed with music/TV/movies, so naturally I have aspirations to create my own music/TV/movies. To get my budding Hollywood career off the ground, I will start by pitching some of my concepts here on the blog. My first idea (this is a real winner, let me tell you) is a crime movie called Knife Law. I definitely have to give credit to my friend Julia, who is equally (if not more) responsible for these brilliant, Oscar-worthy ideas.

Here's the brief plot synopsis:

Terrence Knife is a bad-ass New York City cop, who plays by his own rules. Aided by his team of rule-bending law-enforcers, he scours the city for crime and eliminates it using his weapon of choice: a knife. When a criminal mastermind kidnaps one of his teammates, Knife will stop at nothing to gain back his lost ally. With the help of his team, the sassy chief of police, and his mysterious and sexy ex-wife, Knife will overcome the demons of his past and stop at nothing to defeat his most difficult adversary yet.

ARE YOU PEEING YOURSELF YET?!?!?!?!? CAN'T YOU SEE THE MOVIE POSTER TAGLINES NOW?!?!?!?

"KNIFE LAW: This is what happens when you bring a knife to a gunfight!"

"KNIFE LAW: All is fair in love and knife-war."

"KNIFE LAW: Time to cut evil's cake."

Wait for it, there will be more ideas later in this post. Let me introduce you to the cast of characters:

Terrence Knife
He is the hero of our story. Although he's abrasive, he always follows his own moral code which he calls, "Knife Law." He's a tough, bitter man, still hurting from the disappearance of his son long ago. He is the only man in the history of Weapon's Academy to graduate valedictorian with a focus in knife work, which is a skill he developed after traumatic childhood incidents impeded him from using forks and spoons. He loves his team, but often butts heads with the chief of his department. He is very well trained with all bladed weapons, but vehemently refuses to wield a sword. As we learn later, the only mistake he's ever made was hunting a criminal with a sword, because he accidentally killed a young boy in the process.

Machete
She is Knife's ex-wife and the mother of his presumably dead child. She still resents Knife for neglecting her after their son's disappearance. After too many nights of neglect, she walked out on Knife and accused him of being married to his work. Now, loneliness and bitterness have made her a tough, resentful person. Nevertheless, she is one of the most skilled machete-wielders alive and has managed to maintain her ability throughout the years. She is also inexplicably much younger than Knife, even though most of the story suggests they've known each other for almost all of their lives. She will be played by an incredibly hot actress.

Gunnar McRifleton
Gunnar was Knife's roommate at Weapon's Academy. He constantly resented Knife's ability to outscore him, even when Gunnar was using a gun and Knife was only using a knife. As it turns out, Gunnar's son was the boy Knife killed with the sword, which caused Gunnar to go insane. He has spent his time in isolation, plotting the perfect revenge against Knife...a revenge he is finally ready to put into action.

Shiv
Shiv is completely a brilliant, but physically weak member of Knife's team. His gift is being able to fashion a bladed weapon out of anything nearby. Shiv's brilliance is essential to Gunnar's diabolical scheme, so he is kidnapped very early on in the story. Shiv is easily terrified, but is incredibly loyal to Knife since Knife is a father figured to the orphaned Shiv. Shiv's past will be explored more thoroughly in the sequel, "Knife Law 2: Slice of Hell"

Ivan the Impaler
Ivan is a man of few words, but is incredibly strong. He wields a broadsword, which makes Knife a bit uncomfortable around him. Ivan has also proven his strength and loyalty many times, but it seems as if he has a past that still haunts him. This, again, is sequel material.

Lil'Stabby
A diminutive, smacktalking man is saved from the streets and joins the crew. Although he initially has problems controlling his urge to stab everything, he eventually learns to control his impulses and, mostly, only stabs what Knife tells him to. His broad experiences on the streets equip him to make several sassy one-liners and he often keeps things "real."

K-Knife
K-Knife is Knife's canine companion, a Doberman equipped with the ability to stab. K-Knife frequently comes with the team on expeditions, but often is Knife's only companion at home. Although they are tough on the streets, K-Knife and and Knife are very good friends back in Knife's studio apartment. K-Knife and Lil'Stabby initially do not get along very well, but a friendship is forged by the end of the film.

Sassy McHatter
Sassy is the chief-of-police, a woman who has known Knife for a very long time. Although she often receives flack for the way she lets Knife enforce the law, she knows the burden he is carrying and often shows him more compassion than he deserves when it comes to work. She knows he works with a team of vigilantes, but looks the other way because he produces results.

Grenade
Gunnar's mysterious right-hand man/lady. He/she constantly shows up to sabotage our heroes with his/her explosives, which makes him/her a very dangerous foe. His/her true identity will be revealed in the movie's final act.

So, I think it's only appropriate that each of the main characters gets his or her own poster.

"Knife: When he finds the deck stacked against him, he SLICES THROUGH IT!"

"Machete: She'll cook you up a pot of BLEEDING DEATH."

"K-Knife. Who needs just a K-9 when you can have K-KNIFE?"

"Gunnar: "Why shoot the moon when he can just shoot your face?"

"Ivan the Impaler: Ivan stab. You die."

"Shiv: I saw the knife in the marble and I carved until I set it free."

Yes, I could do this all day.

OMG the best part is the plot. Check this out, bullet points style
  • We're introduced to our heroes at the beginning of the film, minus Machete and Lil'Stabby (they come in later). We seem them seamlessly stop crime.
  • Shiv is kidnapped by a mysterious figure.
  • Knife and crew look for Shiv, but don't have any leads. In this scene we discover Knife's resistance to swords but not the reason why.
  • Character building scene with Knife and K-Knife at home, where we discover how alone they both are.
  • Meanwhile, Shiv is being tortured for information by none other than Gunnar, Knife's former classmate.
  • While on the streets, Ivan is cornered by a group of thugs and is rescued by a foulmouthed hobo--Lil'Stabby.
  • Ivan brings Lil'Stabby back to headquarters, where Sassy and Knife fight over Stabby's future. Eventually, Knife wins and Lil'Stabby joins the team. K-Knife is jealous.
  • More torture/plot development with Shiv and Gunnar. We learn about Gunnar and Knife's time at Weapon's Academy and Gunnar's jealousy.
  • Knife comes to work to discover a woman meeting with Sassy. When she leaves, he realizes it's Machete and they talk. She makes several comments about how he's dedicated to work and doesn't have time for anything else. Sassy refuses to divulge the purpose of Machete's visit and we also discover that Machete is Knife's ex-wife.
  • Knife begins training Lil'Stabby to control his violent instincts. Although Lil'Stabby's heart is in the right place, he just can't seem to get the hang of it. K-Knife isn't pleased.
  • Knife sends Ivan to get more training materials for Lil'Stabby, when Grenade attacks him. Although Ivan manages to escape, Grenade leaves a clue that he is aware of Shiv's whereabouts. Also, based on this scene, the audience can deduce that Grenade was the one who kidnapped Shiv in the opening of the film.
  • While examining the scene of the Grenade attack, Knife and crew are attacked by the same gang from the beginning of the film. Without Shiv, the group's chemistry seems to be off and they begin to fear that they might be killed. Luckily, Machete comes in to save the day and scares of the criminals. She was back for another meeting with Sassy, but saw them in trouble and helped. Although Machete is still closed off and antagonistic towards Knife, her fighting clearly helped complete the group.
  • At home, Knife watches home movies and breaks down. You can see from this movies that he had a son named Cutlery who has been gone for a long time. K-Knife is there for Knife.
  • Cut to Shiv and Gunnar. We learn that Gunnar's diabolical scheme is to create a gun that shoots knives and he needs Shiv to create the knife bullets.
  • Training Lil'Stabby is progressing. Knife seems frustrated, but in this session Lil'Stabby finally has a breakthrough. It seems that Lil'Stabby has finally managed to control himself with knives. Eager and excited, he asks for sword training and Knife freaks out. He leaves and Sassy, who has been watching from the background, reveals that Knife accidentally killed a boy with a sword while pursuing a criminal. This was right before Cutlery went missing, so he feels like his son's death was karmic justice for accidentally killing another boy. In essence, he blames himself for the death of both boys. Machete is also there for another meeting, and you can see that she was moved by Knife's reaction.
  • Knife is outside headquarters and Machete comes to talk to him. She says that she forgives him for leaving her and that although things grew apart and he left her lonely, she understands that things are hard for him. Here is where we learn that Machete is Cutlery's mother. Knife and Machete end up doing the nasty and then Machete feels guilty and leaves immediately after.
  • At home, Knife and K-Knife are enjoying a peaceful evening before they are attacked by Grenade. Again, Grenade leaves a clue. This time, it's a picture of Machete at home, clearly taken by someone she doesn't notice. Knife deduces that this means Machete is in danger, so he and K-Knife rush off to warn her.
  • When they arrive, Machete's house is destroyed in an explosion. Knife breaks down again.
  • At work, the crew learns about what happened and Lil'Stabby manages to set aside his smacktalking ways and actually consoles Knife. K-Knife is moved by this gesture, but returns to glaring when Lil'Stabby looks at him, because tough-ass dogs don't like to look vulnerable.
  • Then a ragged looking Machete enters. It turns out she escaped the blast AND managed to track Grenade back to Gunnar's hideout at Death Tower (the nickname for an abandoned building in the bad part of town)
  • She reveals that she has been working with Sassy to help stop Gunnar, but didn't want to involve Knife because of a secret she found out.
  • Immediately cut to Shiv and Gunnar. Gunnar cranks up the torture to a whole new level and Shiv finally caves. Once that happens, Gunnar reveals the depth of his hatred for Knife. The little boy that Knife killed with the sword was actually Gunner's son. Shiv begins to create the knife bullets.
  • We cut back to our heroes (that was Machete's secret).
  • United, our group goes to Death Tower to stop Gunnar.
  • After defeating many henchmen in awesome battle scenes, our group gets separated. Knife and Machete are split from Ivan, K-Knife, and Lil'Stabby.
  • Ivan's group comes across Shiv, who is unconscious but still alive. After they revive him, he apologizes for finishing the knife bullets. Lil'Stabby struggles to resist stabbing Shiv (because he is a stranger) and K-Knife helps him. This moment of camraderie moves Lil'Stabby and he complete overcomes his urge to stab indiscriminately, forever controlling this instinct. It also seems that the earlier tension between Lil'Stabby and K-Knife has subsided
  • Meanwhile, Machete and Knife are attacked by Grenade in a large, dramatic room with several statues and coats of armor. During the fight, Machete is knocked unconscious. Angered by this, Knife gives everything he has into one final attack, and manages to stab the shit out of Grenade. Before Knife delivers the coup de grace, Gunnar appears, laughing.
  • Like most evil villains, Gunnar chooses to reveal all of the important plot points. He talks about kidnapping Shiv, creating the gun that shoots knives, and his vendatta regarding Knife killing his son. However, the biggest twist comes here! Gunnar reveals that he kidnapped Cutlery and raised him as his own. In that moment, Knife realizes that Grenade is his lost son and he just stabbed the shit out of him. It seems that Grenade/Cutlery is now unconscious and almost dead.
  • Gunnar activates the building's self-destruct sequence, which totally makes sense to exist for a building. He and Gunnar fight, but Gunnar clearly has the upper hand with his knife bullets. Knocked into a corner, Gunnar is about to finish Knife when Knife notices that one of the coats of armor is still holding a large sword. Although a moment of hesitation flashes in his eyes, he picks up the sword and fights back. In a rage, he attacks Gunnar and mercilessly kills him, chopping of his head/limbs, etc.
  • Knife then realizes he has only three minutes to escape the building. Both Machete and Cutlery are injured and need help moving. He realizes he can only save one of them in time. Cutlery comes to and tells Knife that he forgives him for everything and loves him. He also says that he needs to pay for the evil things he did with Gunnar and that Knife should save Machete. Although Knife is sure he can save both, his attempts fail. At Cutlery's tearful request, he leaves him in the room and saves Machete.
  • We next see the building destroyed and the rest of the crew is outside. A haggard looking Knife comes, with Machete.
  • A week later, Knife visits Cutlery's tombstone. While he's there, Machete comes to join him. After a moment of silence, she asks if they found Cutlery's body. Knife says no, but there's no way he could have survived that explosion. Machete looks sad, but tells Knife he did everything he could. She also reveals that Sassy has given her a job on the force and she'll be joining Knife's team. They kiss briefly, and then notice something suspicious. One of the pins from a grenade is on the tombstone. Perhaps Cutlery is still alive...
END!

Hey Oscars, here I come. This movie has everything. Sex. Action. Smack-talking short people. A dog with a knife taped to its head. Tears. Laughter. Everybody will want to see it.

Buy your tickets now.

Rating: 5/5 stars.