Showing posts with label beyonce. Show all posts
Showing posts with label beyonce. Show all posts

Sunday, June 12, 2011

Album Review: 4

First of all, I heard this at a friend's place. I didn't illegally download it. This is just based on that listen. Cough.

In honor of the title of Beyonce's new album, I will share the four main observations I have about this disc:

1. I like 1+1 as a song, but I sincerely hope she's recovering from the mini-stroke that convinced her to release it as a single. Even if it was just for a hot second before she realized her mistake.

2. It should come as no surprise to people that Love on Top is my favorite song. This is largely due to the song's FOUR key changes. Seriously, this song probably has more key changes than The World's Greatest or the Free Willy song. Pause for me to confirm this fact...YEP! I mean I skimmed through the Free Willy song, but I think that one only had three key changes. So yes. Four. Amazing.

3. Sure, it's not as dance-friendly as her previous efforts, but there's something I really like about this CD. I can't really put my finger on it. Which is what makes me such an awesome reviewer. Just trust me on this one.

4. Current single, Best I Never Had, is currently being called Irreplaceable part 2. I guess that song is replaceable after all OH PUN. But no. It isn't. There can only be one. Although this B+ substitute is pretty solid. Short sentences. Yes.

So, fittingly, i would say:

Rating: 4/5 stars. SEE WHY THAT RATING IS FITTING?!?

Thursday, November 19, 2009

Top 20 Songs of 2000-2009: Songs 6-10

10. Crazy in Love-Beyonce

It would be foolish to deny Beyonce’s musical influence this past decade. From her Destiny’s Child roots to her movie career, Beyonce has dominated pop culture in many different ways. Picking her best moment is almost an exercise in futility, because there are so many options and it’s hard to go wrong. Although Single Ladies and Say My Name were both strong contenders, I could not ignore her first single. Crazy in Love dominated 2003 and helped elevate Beyonce from Desinty’s Child front-woman to international superstar. It’s also a damn good track. Those horns…they’re inescapable.

9. Since U Been Gone-Kelly Clarkson

She-rock had a very strong showing this decade. Avril Lavigne and P!nk both made some excellent tunes that showed tougher women could dominate the pop charts. Now, Kelly wasn’t always a badass. After winning American Idol, she was poised to be America’s Sweetheart—the likeable Texas girl with strong pipes. Although Miss Independent hinted at her rock leanings, it wasn’t until she cut loose on this song that she really showed some new depth. Additionally, this song is further evidence that Max Martin is a musical god.

8. Try Again-Aaliyah

Timbaland wasn’t always the production monolith he is today. In the 90s he was just beginning to break into the mainstream and had a few hits here and there. Most of those revolved around his muse: a young R&B princess with a smooth voice. This muse may not have been the strongest singer or the most emotionally available, but something about her hypnotic delivery sat well with Timbaland’s beats. Yes, Aaliyah managed to bring something out in Timabaland’s music that very few could. This song is perhaps their greatest collaboration and a sad indication of Aaliyah’s potential had she lived longer.

7. Maps-The Yeah Yeah Yeahs

When it comes to music outside of the mainstream, I don’t think it gets much better than this song. Even though it’s very lyrically repetitive, the instrumentation and layering perfectly captures the anguish that Karen O is trying to convey. The guitar line is incredible and this song manages to portray heartbreak more minimally and effectively that almost every pop song this decade.

6. Biology-Girls Aloud

This is probably the least influential song on the list, particularly in the United States, but it is also the most perfectly crafted and interesting pure pop song this decade. Taking a leaf from the Supremes, the structure of this song is subtly atypical. It takes two minutes for the chorus to hit. The beat is an odd mixture of Europop and Muddy Waters. It seems so mashed together that you’d think it would never work as a song. Yet, somehow it does. Brilliantly.